Cannes Film Festival Day Five

Today was a mixed bag of a day. I slept in a bit after last night's late movie and showed up in time to get in line for the 12:30 panel at the AmPav on various distribution techniques. This panel was my favorite so far because that is actually what I want to do with my career. After the panel, I went back to the Marché to talk with exhibitors and work on my review.

I missed the two movies I was going to see today due to some miscommunication on my part and other issues, but the Rima Das, director of Village Rockstars, talk was really great. Afterward, I decided on a whim to join others at the premiere of Port Authority, and she came with us. That was really cool until it was awkward, as she and everyone else loved the film except for me. I really did not enjoy most of it, but the film itself was well done (I had pretty major issues with the plot and script just from a social context). Overall though, it was a pretty good day.

Comments

  1. nateMay 19, 2019 at 12:21 PM

    Can't wait for class discussion about Port Authority.

    ReplyDelete

Post a Comment

Popular posts from this blog

Flawless Film Review

Exploring the highs and lows of adolescence is far from a unique idea in cinema, dominating many beloved coming of age classics. Israel’s Flawless is no exception, the film being absurdist take on the pressures to fit in and find oneself in society. It is an approach so outlandish that it somehow works, and manages to be a thoroughly enjoyable and thought provoking film. Flawless , directed and written by Tal Granit and Sharon Maymon, follows the journey of three girls in high school who turn to organ harvesting in order to afford breast implants. The surreality of the film so deeply based in the emotional state of high school students, rather than any actual basis in reality, enhances our understanding of the characters and actually establishes the groundwork for the film’s true strength: its insightful exploration of the transgender experience in high school. Eden, the protagonist of the film, has just come off of her most recent move, all due to her struggles to find acceptan
Read more

Never Look Away: German History Through the Lens of Art

In his second German-language film since the Oscar-winning Leben der Anderen , director Florian Henckel von Donnersmarck crafts a visually stunning and provocative film about the power of art and memory, especially in the wake of extreme trauma and tragedy. Never Look Away (German: Werk ohne Autor ) follows thirty years in the life of Kurt Barnert (Tom Schilling), a famed artist loosely based off of the life of celebrated German artist Gerhard Richter. Through Kurt’s eyes, we watch some of the most significant historical moments of the twentieth century in Germany, a scope that only the most gifted filmmakers could capture. Beginning the film in a suburb outside of Dresden, child-Kurt visits a modern art museum with his aunt, Elizabeth. Regaled by an NS official about how these artists are an example of actions against the Third Reich, Kurt merely looks at all of the art with curiosity and a bit of trepidation. Right off the bat: there is an us and a them , only mi
Read more